• “A Microscopic/Telescopic Collage of The Empire Finals at Verona”, prose typescript, plus carbon, with a few handwritten corrections by Johnson, 6 pages; • “The Planting of the Rod of Aaron”, mechanically-reproduced typescript, 11 pages; • “When Ray DiPalma, in Observatory Gardens, writes…” [first line], prose typescript bearing a few corrections & additions in Johnson’s hand, ½ page; • “To open Flowers & Leaves is to find, after the title-page…” [first line], typed draft of an essay on Guy Davenport, bearing many handwritten corrections and additions by Johnson, 18 pages; • “Basil Bunting: ‘Take a Chisel to Write’”, typed draft of an essay, bearing numerous handwritten corrections by Johnson, 3 pages; • “Specters and Neighbors”, prose typescript (carbon?), 3 pages; • “An Introduction”, prose typescript, bearing a few handwritten corrections by Johnson and signed & dated at the end: “RJ/SF/78”, 2 ½ pages; • “Inroads, Soldier in the Clouds: 1982”, prose typescript on Jack Sharpless bearing a few handwritten corrections by Johnson, 2 pages; • “Of Plethora”, typed draft of an essay bearing numerous corrections and additions in handwritting by Johnson, signed in type & dated ’78, 4 pages; • Copies of "A Flag for Bunting" and "The Gunn Case."