“Drawings, Quarterings (The View from Gordon Baldwin)”, an unpublished original typescript, with the author’s handwritten corrections, revisions and notes to the printer, 10 pages; “A Microscopic / Telescopic Collage of The Empire Finals at Verona,” an unpublished original typescript, with the author’s handwritten corrections and revisions, 3 pages; “The Gunn Case”, an unpublished original typescript, with the author’s handwritten corrections and unidentified reader’s notes, 9 pages; “Intro to Dunc (Poetry Centre, Sept 22nd ’84)”, an unpublished original typescript draft with a couple handwritten corrections by the author, plus a typescript of the same, together 2 pages; “On Looking Up ‘The Pyramid is a Pure Crystal’ in Webster.” Review of The Pyramid Is a Pure Crystal, by John Taggart. Parnassus 3 (1975): pages 147-152: original typescript, with a 6-word handwritten note, 6 pages; “Persistent Light upon the Inviolably Forever Other.” Vort 3.3 (1976): pages 38-42: Original typescript, with the author’s occasional handwritten corrections, 9 pages, accompanied by a photocopy of pages 38-45 of the same, 8 pages; “A Fairy Tale for Robert Duncan.” Parnassus 5 (1976): pp.260-262: photocopied typescript, 5 pages; “The Italics are Guy Davenport’s.” Vort 3.3 (1976): pp.42-45: Original typescript, with a few handwritten corrections by the author, 5 pages; “In Memoriam L. Z.” L=A=N=G=U=A=G=E I (1978): pp.2-3: Typescript, with a couple handwritten corrections by the author, 1 page; “Jonathan Williams.” Dictionary of Literary Biography. Vol. 5: American Poets Since World War II. Part 2: L-Z. Ed. Donald J. Greiner. Detroit: Gale, 1980, pp.406-409: photocopied typescript, with handwritten corrections and revisions, “A Portal to Jonathan Williams”, 13 pages, and photocopy of the contribution from the Gale volume, 4 pages; “A Flag for Bunting.” Conjunctions 8 (1985): p.197: Original typed draft, with the author’s corrections and the title in pencil, 1 page and Xeroxed typescript, 1 page; “Introduction” to Presences of Mind: The Collected Books of Jack Sharpless, Ed. & Intro by Ronald Johnson. Frankfort, KY: Gnomon, 1989: Original typescript, with a couple handwritten corrections by the author, 2 pages; “Six, Alas!” Chicago Review 37.1 (1990): pp.26-41: Xeroxed typescript, with a few handwritten corrections and revisions and a handwritten cover/note sheet, 20 pages; “Take a Chisel to Write: Key to Briggflatts.” Sagetrieb 14.3 (1995): pp.7-17: Original typescript, with a few handwritten and white-out corrections, 16 pages; “Hurrah for Euphony”. Chicago Review 42.1 (1996): pp.25-31: Original typescript, with a few handwritten corrections, 11 pages and original typed drafts, with numerous handwritten and white-out corrections and revisions by the author, approximately 11 pages.