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Box 1

 Container
Call Number: MS 122:A

Contains 20 Results:

Letters from Leonard Henny to Larry Eigner concerning making the film, December 10, 1970

 File — Box: 1, Folder: B.1.1
Scope and Contents

Topics include: Eigner's suggestions; Monsanto complaining about "Dead Earth"; raising funds for the film and reading Eigner's poetry; should be life-celebrating, the "year beyond protest"; will be in the US until June 1971. Also, Eigner's typed notes on poetry, muscular disorder; line of poetry.

Dates: December 10, 1970

Letters from Leonard Henny to Larry Eigner concerning making the film, January 31, 1971

 File — Box: 1, Folder: B.1.2
Scope and Contents

Topics include: Eigner's poetry, the poetry reading; KPFA tape; music; visuals; logistics; Boston Industrial Mission; ecological group.

Dates: January 31, 1971

Letters from Leonard Henny to Larry Eigner concerning making the film, February 26, 1971

 File — Box: 1, Folder: B.1.3
Scope and Contents

Topics include: tape from Joe; coming to Boston in March to see Scott Paradise of Boston Industrial Mission; may do some filming then; Eigner's proposal concerning Minelli's participation; possible arrangements.

Dates: February 26, 1971

Letters from Leonard Henny to Larry Eigner concerning making the film, March 3, 1971

 File — Box: 1, Folder: B.1.4
Scope and Contents

Topics include: listened to the tape with poems; proposed structure of film; David Gittin and Eigner readers; Frank Minelli; money problems.

Dates: March 3, 1971

Letters from Leonard Henny to Larry Eigner concerning making the film, February 7, 1972

 File — Box: 1, Folder: B.1.6
Scope and Contents

Topics include: very busy, struggling with Vietnam Veteran [film]; committees and lectures taking up time; will start editing Eigner film in March; thanks for all the work Eigner did on the transcript; Grenier's magazine.

Dates: February 7, 1972

Letters from Leonard Henny to Larry Eigner concerning making the film, July 7, 1973

 File — Box: 1, Folder: B.1.7
Scope and Contents

Topics include: film is ready and arrived at the University of Florida; screened the film with a United Church of Christ group - they were ecologically moved; Jan Boon, film man, helped with the final editing; Allen Ginsberg read Eigner's poems for the film while he was in in Amsterdam in July; arrangements for showing the film in Swampscott, MA, in August; future addresses.

Dates: July 7, 1973

"Take four."

 File — Box: 1, Folder: A:4a
Scope and Contents Recites "Occasionally", "Of this ungrateful unity". Topics include: Creeley in Freiburg in 1952; William Carlos Williams; poetry is selection of garbage in certain ways; wretched world - life styles; poem about woman upstairs; explanation of "fades away"; suppression of syntax, Japanese techniques; Eigner used techniques unconsciously which he has since learned about; poetry is immediacy enforced without loss of energy, therefore often obscure; Saul Bellow;...

"Take eight and nine. End tape two."

 File — Box: 1, Folder: A:8a
Scope and Contents Recites "And cultural heritage", Listening to the wind", "Those shades are from trees", "So the fine green arm". "Good and bad/time goes", "How many languages", "The movie turned", "Saint Thomas More". Topics include: weekly fasts would waken the world's conscience about food; ecology; life-styles; world family; Kerouac; Dos Passos; Beatniks of 1949 and later; Ginsberg; City Lights; Eigner indiscriminately read some...